|About the Book|
After graduating in English Literature, 1959, from Occidental College (California), Kathleen Fraser went to NYC to work as an editorial associate for Mademoiselle magazine, pursuing her poetic studies with Stanly Kunitz at The 92nd St. Y Poetry Center and, briefly, with Robert Lowell and Kenneth Koch at The New School. At this time, she began to meet a number of New York poets associated with Black Mountain, The Objectivists and the New York School. Among these poets, those to have most important influence on her work were Frank OHara, Barbara Guest and George Oppen. She later counted the works of Lorine Niedecker, Charles Olson and Basil Bunting as having a serious impact on her poetics. In 1964 she won the Frank OHara Poetry Prize and the American Academys Discovery Award. Other writing fellowships have included two NEA Poetry grants, in 1971 and 1978, and a Guggenheim Fellowship in poetry in 1981.After seven years as a journalist - writing and editing - and the publication of her first book - Change of Address [Kayak, 1968] - , Fraser was invited to teach as a poet-in-residence for two years at the Iowa Writers Workshop, where her university teaching career began. She taught, subsequently, in contemporary literature and writing programs at Reed College and at San Francisco State University where she remained as a Professor of Creative Writing through 1992. In her early years at SFSU, Fraser directed The Poetry Center and founded the American Poetry Archives.From 1983-1991, Fraser published and edited HOW(ever), a journal focused on innovative writing by contemporary women and erased or neglected texts by Anglo/American modernist women writers, together with associate editors Frances Jaffer, Beverly Dahlen and Susan Gevirtz and contributing editors Carolyn Burke and Rachel Blau DuPlessis. Fraser has just completed a manuscript of essays - Translating the Unspeakable - on those American poets and poetics having a particular impact on her own writing and thinking.She has published twelve volumes of poems and two childrens books, including What I Want (1974), Magritte Series (1977), New Shoes (1978), Each Next, narratives (1980), Something (even human voices) in the foreground, a lake (1984), Notes Preceding Trust (1987) , When New Time Folds Up (1993) and WING (1995). Her most recent collection, - il cuore : the heart - New & Selected Poems ( 1970-1995), was published by Wesleyan University Press in the Fall of 1997. Fraser splits her time between San Francisco and Rome where she lives with her husband, the philosopher/playwright Arthur Bierman, from March through June . She has lectured and given readings at a number of Italian universities and has translated Lampi e acqua, a book-length serial poem by Maria Obino (excerpts published in AVEC), and a selection of poems by Toni Maraini, Daniela Attanasi, Sara Zanghi and Giovanna Sandri (published in Thirteenth Moon, Italian Women Writers issue).